![]() “It was a very collaborative process,” said Aitken. Once actual shooting began, both Weta Digital visual effects supervisor Matt Aitken and Digital Domain visual effects supervisor Kelly Port joined DeLeeuw on set, and continued interacting during post-production. “We got to effectively make a little short film with Thanos, showcasing how close we could go to his face as we transferred Josh’s performance.” “They shot some random clips of Josh Brolin just being Thanos without any story,” said Digital Domain animation director Phil Cramer. ![]() The New Zealand studio concentrated on scenes set on the villain’s home planet of Titan.īefore any shots were done, however, Marvel actually had Digital Domain and Weta Digital do a Thanos test. Indeed, Digital Domain and Weta Digital do have different approaches, but it was also the job of overall visual effects supervisor Dan DeLeeuw and the Marvel production team to review and compare the cg Thanoses and push each studio towards a similar result. Digital scans, motion capture data, and cg models can be shared amongst vfx facilities, even though they may each have proprietary techniques for bringing together the final character. And partly, it’s because it simply can be done. Partly, it’s simply to spread the work around and ensure no single facility is over-burdened. ![]() Sharing a character might sound unusual, at first, but as mentioned, Marvel does this regularly. How can two vfx studios work on the same character, anyway? ![]()
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